The materials involved in the making of Damascene Wood-Mosaic artefacts can be divided into 4 categories categories.
1. Wood
2. Mother-of-pearl
3. Wood Polish
4. Adhesives
Wood: Eucalyptus, lemon, rose, apricot, olive, poplar, mulberry, and walnut. (See below Figure).. The use of specific types of wood in Damascene Wood-Mosaic traditional craftsmanship is due to the fact that all types of wood are sourced locally from the ‘Ghouta’ area, which is a suburban area in southwestern Syria that surrounds Damascus along its eastern and southern rim. The wood veneer is made from these types of wood. However, other types of wood are used for the structure/skeleton of the artifacts, such as beech and walnut, the latter of which is more expensive and desirable. According to the Damascene artisans, any type of locally sourced wood can be used for the veneer because the more variety of wood used, the more aesthetically pleasing the veneer.
Mother-of-pearl is obtained from riverine or seashells. Seashell mother of pearl, known as 'Sadaf Sinan' in the local language, is more expensive than riverine mother of pearl, known as 'Al-Diri'in the local language, and extracted locally from the Syrian city of Deirez-Zor on the banks of the Euphrates River. The mother of pearl extracted from seashells is gleaming white and mimics the colours of the rainbow spectrum, (See Figure below), whereas the mother-of-pearl extracted from riverine shells is matt white. Some artisans use plastic inlays in place of Mother of Pearl because they are less expensive, but Master Craftsmen regard this as cheating.
Wood polish Also known locally as 'Bardack,' involves the use of shellac varnish, also known locally as 'Kamalika'. Shellac is a natural resin material extracted from trees that is produced by the female lac bug and comes in a variety of colours red, orange, and yellow. (See Figure below). Before use, the shellac flakes are dissolved in alcohol for 24 hours. Shellac acts as a film-forming finish, protecting the wood surface by forming a film on it. For the local artisans, Shellac encapsulates the wooden mosaic veneer as if it were a layer of gelatin, preserving it and imparting a lovely luster, whereas paint spray does not bring the wooden mosaic veneer to life, and it is also artificial and lifeless. Furthermore, the use of paint spray darkens and yellows the veneer of the wooden mosaic over time, reducing the aesthetic value of the artefacts.
There are two types of glues used by artisans.The first is natural glue, which is extracted from animal bones and comes in the form of grains. 'Red glue' is the name given to this type of glue. The artificial white glue that most carpenters use is the other type of glue. The red glue dries faster, so craftsmen use it for curvy shapes, whereas the white glue dries slower but is stronger in the long run.